Saturday, March 23, 2019

Securing a Place of Power: Reinventing the Role of Women in Theatrical Representation :: Research Papers

Securing a designate of Power Reinventing the Role of Wo men in Theatrical RepresentationIn The womens rightist Spectator as Critic, Jill Dolan examines the current hegemony of the white, hetero knowledgeable, middle-class male (121) as the theatre of representation in theater. She examines why feminist attempts to expose this bias and persona it to change the objectification of the roles of women have failed, when this has even been attempted, and furnishes her hypothesis on how this failure shag be prevented.In the dominant illusionist tradition of American theater, the identity element of the spectator is subsumed in the singular mass of the audience. The face most oftentimes given to this mass audience is that of the white, heterosexual, middle-class male (121). Womens roles atomic number 18 objectified, and, in the process, the feminist spectator is alienated as her sex activity, race, class, and/or sexual orientation have no relation to what is presented onstage.Femini sm is a look back of the prevailing male-dominated social norm that seeks to change this norm and therefore is the political program from which to change its domination in theater. Dolan enumerates three segments of American feminism liberal, heathen or radical, and materialist. She credits liberal feminism with the bolstering of female visibility and involution in theater and acknowledges the women-affirming aspects of cultural feminism, but she finds them both flawed and inapplicable for an effective attack on the male domination of theater.Materialist feminism looks at women as a class, oppressed by material conditions and social relations. It considers sexual urge as a social construct, in the service of the dominant glosss ideology and accepted as normative by the slight powerful, which is oppressive to both men and women. It rejects the universality of the mythical Woman and alternatively views women as historical subjects whose position in the social structures of th e dominant civilization is influenced by race, class, and sexual orientation.Materialist feminism sees as necessity the unmasking of the ideas of gender and power of the dominant culture and thus what most theater and act represents. Materialist feminism does not aim to judge, but to examine the ways in which a performance delivers its ideological message, in order to formulate strategies for combating the oppressive cultural assumptions inherent in this message. Its goal is to affect a large cultural change in the ideological and material condition of women and men (18), and it sees the necessity of politically analyzing the current condition and its representational

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